Last night, it rained so hard that it woke me up. I walked around silently closing the windows all around the house. It was an interesting night because I found myself dreaming what felt like a very long saga of a melodrama about changing patterns. As with many dreams, it was vivid at the time and harder to remember the blurry edges now that I am awake. Suffice it to say, it was vividly about changing patterns, sequences and designs of layouts in a fantasy world of characters I did not recognize and at the same time, felt like myself.
When I woke up (a second time,) I felt that the Universe had shifted slightly and that the dream’s gestalt had permeated my consciousness – at least I remembered its energy as being very positive at the same time that it was challenging me, as if to pose an important question. Yes, I said to my inner self. Instead of looking at health issues as the glass half empty, it’s time to look at the broader context of our lives as brimming with all good things that we worked hard for and which we may now enjoy together.
A case in point is an experience G. and I shared last night while watching a documentary of the Polish pianist, Piotr Anderszewski, filmed by Bruno Monsaingeon, a master producer of intimate, poignant films about famous musicians, notably of Sviatislav Richter, near the end of his days. I observed as the film progressed, how intently G. listened to the music he played. In parallel, I also listened intently to a young man (at the time) who was difficult to watch sometimes in his facial expressions, but whose playing was infinitely musical. In a way, it was a paradigm of the kind of intimacy that we share in our married life together: individual reactions, yet shared at the same time – and in the end, compatible in the assessments we make separately when we discuss them later on. It is a rare thing, I think – and each time it happens, I am touched by it.
In any case, I messaged a pianist friend of ours about the documentary to let him know about it and he returned almost immediately with a Youtube clip called “Technique Doesn’t Exist!” featuring one of our favorite pianists, Maria Joao Pires. It turned out to be almost an hour long so we’ll watch it together this evening. The opening of the Pires clip showed her and one of her star pupils playing Schubert’s well known Fantasie in F minor, four hands together on the same piano. This is a piece that I’m familiar with, having played it with others and also listening to Radu Lupu and Murray Perahia go at it in one of my favorite recordings. It gets a little bombastic in the middle but that’s the way it goes.
In an interview online, Anderszkewski related that in Warsaw during Chopin competition years, the local populace’s passion for it was similar to ours with football. In fact, he recalled in 1957, that his Aunts got into such a disagreement about who played Mazurkas the best that they stopped speaking to each other for weeks! His sister, Dorothea, is an accomplished violinist who is a concertmaster of one of the major orchestras in Poland. The pressure to practice at an early age coming from their strict father has obviously been rewarded by two ardent musicians who enjoy each other’s company musically as well as being siblings.
All of this, the changing pattern dream-like message, the music we witnessed separately and together last night and the cool, rainy Sunday morning that we are enjoying with our coffee this morning has made me realize that in fact, it’s time for a change. With an all-day rain predicted for today, I’ve decided that tomorrow would be good timing to transplant a bed of a half-dozen dark red day lily plants from a side plot that has been shadowed by trees to a sunny front garden which has successfully evaded a permanent planting of perennials so far because previous attempts have been unwittingly mowed down by mistake every summer up to now.
With the soaking rain today, it’ll be easy to weed the front plot, add some loam, dig up the daylilies which are robust and healthy and transplant them while the ground is soft and yielding. Maybe this time, after mulch is added, I’ll pick up a little plastic picket fence divider as a boundary to protect it until the transplants get established.
Most interesting is the strong impulse to play the piano again today. To review and enjoy some of the pieces that we played for each other twenty years ago: the second movement of a Mozart sonata, Bach partitas and even perhaps some Chopin ballades and mazurkas!
Life can indeed be seen as a glass half empty or as one that is half full. Ours is the latter and it only takes a little prodding every once in awhile to renew that perspective and enjoy our good fortune. With thanks and gratitude to the Universe which moves in mysterious ways and to a family whose understanding and love is appreciated every day.